I shouldn’t be promoting Mercedes Benz but this commercial is pretty creative. Even the most common animal that we take for granted are amazing.
I shouldn’t be promoting Mercedes Benz but this commercial is pretty creative. Even the most common animal that we take for granted are amazing.
Last month I stumbled upon Xiang Jing’s retrospective at MOCA Taipei. I’m usually not particularly drawn to figurative sculptures but there’s something incredibly powerful in Xiang Jing’s works. She’s fluent in the language of emotions and can bring out the subtlest of expressions. I also love how her women characters are full of insecurity, defiance, and imperfection. They are also sometimes perversely cruel or indifferent. The experience of seeing the work in person is akin to stepping into a story unfolding, or a movie scene suspended in time.
I need to do one with the Vietnamese onomatopoeias
Here’s a great compilation in text by Derek Abbott. No Vietnamese in it either though.
One of my favorite classic Chinese painters is Bada Shanren (1626–1705) of the Ming dynasty. It’s not uncommon to depict animals in Chinese ink paintings but the animals in Bada Shanren’s paintings are unconventionally spirited. They are often slightly distorted and carry a look of mistrust.
A cicada shell;
it sang itself
utterly away.
– Matsuo Basho
falling blossoms—
birds too are startled:
the dust of the koto
chiru hana ya / tori mo odoroku / koto no chiri
swarming in the waterweeds,
the whitefish: if taken in hand
they would vanish away
mo ni sudaku / shirauo ya toraba / kienubeki
foolishly, in the dark,
he grabs a thorn:
hunting fireflies
gu ni kuraku / ibara o tsukamu / hotaru kana
in summer rains
the crane’s legs
become short
samidare ni / tsuru no ashi / mijikaku nareri
by Dr. Alexander Schreiber, St. Lawrence University, Canton NY